The best ones we looked at are built from a single piece of thick metal. Sturdy construction: A TV mount supports a large (and expensive) TV, so we placed a strong preference on those with a robust construction.The best mounts have small post-install level adjustment screws that let you raise or lower each side of the TV after you’ve installed it on the wall. Also, if you own an old, uneven house (like I do), you may even want the ability to tweak the TV slightly out of level, in order to align it better with the surroundings. Even just having the reference line of a nearby doorway or window is usually enough for the eye to pick up a slightly crooked TV. With larger screens, this becomes a significant issue, particularly if you have any strong patterns on the wall, such as brick or wallpaper. Post-install level adjustment: If you install the wall mount even just a bit out of level, it can look dramatically off once you’ve attached the TV.The best mounts hover around the 2-inch mark, but some get the back of the TV even closer to the wall than that. Thin profile: A TV mount shouldn’t call attention to itself, so we placed a premium on those that held the TV closest to the wall.Whichever mount you decide on, we recommend visiting the manufacturer’s website to confirm compatibility with your specific TV. That range put the 55-inch size in the center of the mounts’ capabilities, and it encompassed a wide selection of general-use TV sizes. So we looked at mounts that supported a range of television-screen sizes from 30 to 80 inches. Compatible with at least a 55-inch TV: TV screens are getting larger, and some TV manufacturers offer their higher-performance models only at 55 inches and higher.The UL-approved VLF728-B2 is priced in the midrange for high-end full-motion mounts. This Sanus mount is big, but because TV mounts need to be screwed directly into wall studs, the VLF728-B2’s 32-inch-wide mounting bars allow for greater flexibility with placement. The mount’s smooth extension and pivoting motion give it a high-quality feel, and the adjustments, from the tilt lock to the screen leveling, are easy to use. But when you press the mount back against the wall, it has a thin profile of just over 2 inches. To stabilize the weight of the TV, the arms are large. This mount can extend a TV up to 28 inches off the wall-farther than most-which also gives it a wide range of side-to-side pivot. May be slightly different from the pictures.If you want the option of pulling the TV out from the wall and angling it toward your seat, we recommend the Sanus VLF728-B2 (also sold as the Sanus BLF328-B1), which works with TVs ranging from 42 to 90 inches. 18mm /ĭue to the light and screen setting difference, the item's color Recess brackets, or onto adjacent walls if there is limited or no Perfect for fixing curtains pole directly inside the two High quality zinc alloy material, fits for medium and heavy Two choices, to suit 25mm or 28mm curtain poles. Imported from UK (Sizes & Specifications are based on the UK Market).* High quality zinc alloy material, fits for medium and heavy weight curtains.* 2 Size available, to suit 25mm or 28mm curtain poles.
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Weighing in at about 3.5GB to download, this sample library gives you a realistic piano tone whole remaining easy on CPU use. Sampled from a stage piano in a brilliant concert hall in the Czech Republic, Monastery Grand is a free instrument for the MSoundFactory platform. Between the two matrices and the ADSR controls in the Globals tab, every synth sound you could imagine is at your fingertips. Compressors, Limiters, Delays, Choruses, Vocoders, and a whole galaxy of other effects are available. In addition to the individual effects on the matrix in the Generator tab, there is a separate FX matrix that gives you access to any of your installed MeldaProduction effects. I spent hours just playing with the generators, making cool sounds, and messing with knobs, and I feel like I just barely scratched the surface of what MSoundFactory is capable of. Clicking any of the blanks on the matrix brings up a huge menu of generators, filters, and various effects. Next up, the Generator has a giant matrix view for toggling and adding oscillators and effects. This makes it incredibly easy to nail down the perfect ADSR settings for your custom patches. When you strike a note, it travels down the ADSR graph from left to right in realtime to show you the attack and sustain times. The Globals tab in Edit Mode includes the coolest ADSR Envelope control panel I’ve ever seen on any synth, bar none. Suffice it to say that in terms of control, the Easy Mode is like driving a car, and Edit Mode is more like flying a plane. I could spend a bunch of time talking about the Easy Mode, but in the interest of time I’ll skip straight to Edit Mode, as that is where the sausage is really made. Without a doubt, Edit Mode is where the magic happens in MSoundFactory. (One called Planetary Pads sounded an awful lot like the pads in the opening to Star Trek: The Next Generation. Clicking Download Presets in the loader performed an online exchange, beefing up my library with an additional 151 presets. This means that you can browse through and try out presets that other MSoundFactory users found useful enough to save. There is also a separate preset loader with search, save, upload and download capability. That’s probably why they included the Genre, Timbre, Articulation, Algorithm, and Features keyword lists, plus a folder-style browser with search bar. With nearly 1100 different patches, the preset library is almost a little insane. I don’t always talk about presets in my reviews, as they seem largely an afterthought on some plugins. Bear in mind as we go through the plugin’s features that although I’ve done my level best to cover all the important parts, there’s surely some controls or features that I’ve missed. There is so much to the MSoundFactory interface that I was compelled to pull out the manual within a few minutes of loading it up to help guide me. Everything is laid out well, and there are tons of toggles to expand and collapse various control sections for customized views. Broken into the same three tabs as the Easy mode, the Edit mode has a modular routing grid with a huge array of modulation sources, ADSR settings with an enormous graph for setting the perfect envelopes, and an effect routing matrix with a vast selection of effects. Hitting the Edit button brings up the Edit mode, which gives you far more granular control over the current preset. In between are the knobs and buttons for the currently-loaded preset broken out into three tabs: Generator, FX, and Globals. On the left is a preset loader including categories and a tree view to narrow down the list, and on the far right is a meter with output volumes and stereo width, plus 8 preset selectors for quickly flipping through favorites, A/B, copy/paste functions, undo/redo, and arpeggiator toggle. The default view is called the Easy screen and provides a simplified interface for controlling the selected preset. MSoundFactory has the standard MeldaProduction bluish-gray look with colorful buttons and knobs. Let’s check them out in detail and decide whether MSoundFactory is worth the price of admission. I spent some time this week playing with both MSoundFactory and the new Monastery Grand library. Though it’s been out for over a year now, MeldaProduction’s MSoundFactory, Melda’s enormous synth and sampler suite, has just been beefed up with a new, free sample library called Monastery Grand. Choosing the Best Digital Audio Workstation for your Home Studio.Best Acoustic Treatments for Home Studio 2021.Best MIDI Drum Pads for Home Studio 2021.Best MIDI Control Surfaces for Home Studio 2021.Best MIDI Keyboards for Home Studio 2021.Best Audio Interfaces for Home Studio 2021.Fixing Up a Vintage Reel-to-Reel Tape Recorder.How To Build a Studio Guitar with 48 Tones.How to Calibrate Your Studio Monitors with Sonarworks Reference 4 Studio.Synths and Virtual Instruments Menu Toggle.Audified AmpLion 2 Rock Essentials Review. NSFW content will not often be relevant to the subreddit, unless a question/post/comment pertains to NSFW album art/lyrics. If they have an impact on this subreddit this rule will be enforced.Īvoid posting NSFW content- if you must, please flair it appropriately. This includes PMing members of the subreddit or "following" their account around reddit, whether the problems originate here or elsewhere. Harassment of other users in posts or comments will not be tolerated and may result in an immediate ban (moderator discretion). Message a moderator with questions.ĭo not harass/bully/attack/defame other users. Better still would be password protection or private sharing. Music shares can put the uploader and/or the subreddit in danger with reddit or legal teams, and should at minimum be obfuscated using base64. Shared music should be obfuscated at a minimum. Self promotion of music, services, playlists, products, or other digital or physical materials, regardless of relevance to the subreddit, may be removed with moderator discretion. Self promotion of music, playlists, services, products. If you have questions about this rule, or message the moderators. None of these things are good, so consider messaging the mods before actually posting about projects like those discussed above.īe specific, concise, and polite when requesting music. Publicizing the work being done behind the scene can often jeopardize the project or put those doing the work in legal danger if they are not very careful. Some things are often best kept under wraps, such as siterips of major music sites. Talk to moderators before posting about projects. Content in this style must either have a longer text post/comment attached to it discussing the collection in some depth or be substantial in some other way. Content that solely positions itself to show off large amounts of content do not contribute to the conversation revolving around collecting music and auxiliary parts of music. Content revolving around this topic will be removed.Īvoid posting simply to brag about the size of your music collection. This is not the place for requesting invitations to music trackers. It will not be tolerated.ĭo not request or offer invites to trackers or other private music sharing sites. Do not harass other members of this community for their music or access to their files, or request access to files in a way that comes across as entitled. Users frequently choose to generously share music through various outlets. Read the Rulesĭo not beg for access to music or make demands regarding requests. Make sure to check out the wiki for more info. Whatever your persuasion, if you hold an interest in anything relating to the above-then you'll fit right in! Others just wish to learn about music formatting, organizing and pirating. Some collect purely for rare and obscure music, to preserve pieces which might otherwise be lost in time. Some hoard music because they believe that the internet will not remain free and open in the foreseeable future. We are a group of people engaged in collecting as much digital music as possible. Home of the compulsive music collectors who are looking to expand, archive or organize their music library. RELATED: MARKETING FOR STARTUPS: WHAT WE LEARNED AT COLLISION CONFERENCEĬompared to Starbucks, Dunkin’ uses a far more traditional approach to video marketing. The feel of Starbucks is important however, it is the product that makes the money – and the product is almost nonexistent in Starbucks video campaigns. The audience might be intelligent, but making them work too hard to figure out what your video is even about isn’t good for any brand. Sometimes, it is better for the messaging to be clear. While aesthetic is an important factor of branding and video marketing, it cannot be the only factor your audience connects with. Starbucks instead has to lean on the “look and feel” of their video to communicate their brand, and that might be asking the audience to connect the dots between their advertising campaigns. Unlike many other brands, there is no slogan to tie together a campaign or showcase a new product. The “Good Feels Good” is a great concept however, it’s not extremely memorable because it’s vague. While Starbucks is all about selling the experience through branded entertainment and telling the stories of others, the downside is that the brand forgets to tell a lucid story of its own product. RELATED: TELL ME A STORY: BRANDED CONTENT THAT WORKS This strong, emotional connection with what their customer cares about solidifies the brand experience, and Starbucks takes full advantage of what they have created. Starbucks uses these deep rooted emotions, subtly joining those feelings of pride and accomplishment to the Starbucks brand. It’s hard to fabricate authenticity, and sharing the stories of these real people is far more powerful than a contrived storyline. It showcases that the Starbucks marketing team is using video marketing to its full potential. This emphasis on people doing good in this world paired with the Starbucks brand through video is extremely well done. In fact, they do the opposite: they stand up for what’s right. This series showcases the people who do not sit by the wayside: when things go wrong. Starbucks goes even further with this branded entertainment, in the form of its YouTube channel where it has just begun its second season of it’s original series Upstanders. Even with the only mention of the tea in the last ten seconds of the videos, the casting strategy and the honest interview feel certainly keeps with the theme of promoting a feeling, instead of the product. In this environment, Starbucks explores the feelings of happiness and bliss to suggest to the audience that taking a break with their Teavana tea can help you feel those very same emotions. Beauty, pops of color, and the emotional focus of what “good” feels like, sets up the memorable “Starbucks Vibe” of the video. The video associates the Starbucks brand with the image of these people as well as their experiences. Starbucks does an amazing job of casting for this campaign, with an extremely diverse range of young, hip, and eclectic people. It was never just the coffee it’s how the coffee makes you feel.Ī new campaign from Starbucks showcases the wide range of answers people have to the question: “What does good feel like?” This campaign was created for Teavana, Starbucks’s brand of tea, to promote the launch of three flavored shaken iced tea drinks. They wanted to provide a “third place” atmosphere, somewhere a person can go outside their regular domain to have a cup of coffee and to relax. Starbucks looks to sell an experience, not just a cup of coffee. Even after this first national television campaign, Starbucks still kept their video marketing on a different level compared to other companies. Preferring to stick with local advertisements, it wasn’t until 2007 that they created their first national video campaign, “Starbucks Red Cup”. Starbucks has never been a typical company, especially in the realm of marketing. RELATED: HOW TO REACH CUSTOMERS IN THE AGE OF A VALUE BASED MARKETING Sit back relax as we take a look closer look at Starbucks and Dunkin’ Donuts’ video marketing strategies. Years have gone by, marketing tactics have changed and now video marketing is where the treasure lies. These are significantly different companies fighting for the top spot as the King of Coffee, and marketing is key to this title. based company while Starbucks gets a great deal of its revenue from markets outside the United States. The differences don’t stop there, Forbes reports that Dunkin’ is a primarily U.S. According to Investopedia’s comparison, Starbucks grew aggressively, despite being founded 20 years after Dunkin’ Donuts, and is now the larger company raking in $16.8 billion in revenue while Dunkin’ reported only $828.9 million in 2017. These two companies are locked in a fierce competition to be the best coffee joint of them all. Starbucks or Dunkin’ Donuts? Ask anyone this question and you’re sure to get a heated answer. Celebrity Net Worth places Tom Schwartz Net Worth at about $4 million. Tom Schwartz has been successful not just as a reality television actor but more importantly as a business owner. Of course, we don’t know how much he’s won or lost playing poker over the years. He also plays roulette and craps even though poker is first love. In 2018, he appeared on the “Poker Night Live” television show. Schwartz is open about his love of gambling, specifically of playing poker. Presumably, then, Tom Schwartz net worth includes earnings from these sales. This appears to be small batch bourbon and rye whiskey for sale by the owners of the TomTom Bar. Tom’s Instagram bio link takes us to Toms’ Good Lovin’ Whiskey. In a roundup of the highest-earning “Vanderpump Rules” cast members, Yahoo! reports that Tom Schwartz net worth “kyrocketed from $25,000 to $2 million after he opened TomTom.” Toms’ Good Lovin’ Whiskey For example, TomTom Bar’s Instagram has over 400K followers. The bar would likely never be so successful if the show hadn’t followed him on that journey, right? And all of this further builds his social media presence in an endless loop of each thing supporting the growth of the other. The grand opening of the restaurant aired on a February 2019 episode of “Vanderpump Rules.”Īgain, Tom Schwartz net worth is likely intertwined here, with some of the money coming from the success of the restaurant itself and some coming from his television appearances about the bar. Lisa mentors him as he and his best friend Tom Sandoval open a restaurant together called TomTom Bar. In 2019, the “Vanderpump Rules” cameras began to follow him in his new endeavor. He has over 280K Twitter followers and over 980K Instagram followers. Therefore, some of Tom Schwartz net worth must come from whatever he earned per episode on “Vanderpump Rules.”Īnd finally, of course, most reality TV stars become influencers and earn at least a portion of their money that way. Second, of course, they get paid for appearing on the show itself. So, although we don’t know what he earned as a bartender, he likely did well for himself. Bartenders can make good money, especially at a popular Hollywood bar. First, they must get paid for their jobs. Presumably, the restaurant workers earn money from the show in two or three ways. (He also took some college classes in pre-medicine with a plan to become a doctor if television didn’t work out, but modeling and then acting took off.) Tom Schwartz, Bartender TV Over Mind points out that he started out as a model before he was an actor. According to IMDB, he’s been on “The Playboy Morning Show,” “Summer House,” “Celebrity Family Feud,” and “Watch What Happens Live With Andy Cohen,” among other appearances. Although he seems to have stopped other forms of acting, he’s “acted” as himself in a variety of appearances over the years. However, once he began starring in “Vanderpump Rules,” his other television acting gigs seem to have fallen to the wayside. In 2011, he appeared in an episode of the TV show “True Blood.” In 2013, just before beginning work on “Vanderpump Rules,” he appeared in an episode of “Two and a Half Men.” That same year, he was in a documentary short called “2 Miles in 20 Minutes.” Celebrity Net Worth explains that he began in other acting positions. He didn’t start out with a plan to be a reality TV star. However, they have recently filed for divorce.Īnother main storyline was when he left his role as a SUR bartender to open his own restaurant under Lisa’s tutelage. Early on we see an episode where he admits to cheating on Katie. One of the main storylines of his character follows his relationship with fellow cast member Katie Maloney. By Season 3, he was a main cast member of the show as a SUR bartender. Tom Schwartz appeared on the show as a recurring cast member from the very beginning. This drama at SUR is the subject of the television show “Vanderpump Rules.” Who is Tom Schwartz? She has a Hollywood restaurant and bar called SUR. Lisa Vanderpump was one of the Beverly Hills show cast members. If you don’t follow all of the “Real Housewives” shows, then you might not know what we’re talking about. For example, Tom Schwartz is one of the main cast members of “Real Housewives of Beverly Hills” popular spinoff show “Vanderpump Rules.” What is Tom Schwartz Net Worth? What Is Vanderpump Rules? However, there are a few mainstays that most people recognize. There are so many cast members of the “Real Housewives” franchise that it’s hard to keep up. If a player is committed to picking a particularly difficult pocket, it’s easier to simply quickload and attempt again rather than spend perk points upping the skill. It’s more economical to instead rely on enchanted gear, a high sneak skill, and optionally some of the later perks further up the tree. Light Fingers: Surprisingly, getting extra ranks in Light Fingers is usually not worth the perk points.Keys carried by NPCs usually pertain to doors, as well, which are always easier to lockpick than the strongboxes or chests behind the door. Picking locks is usually less risky than picking pockets, and it’s always more convenient than trying to find the NPC that matches the door in question. Keymaster: While stealing keys is useful, it’s rarely necessary.Related: The Best Skyrim Stealth Archer Build (Skills, Perks, & Weapons) Which Perks Not To Choose This can either replace or stack with The Steed, one of Skyrim’s best Standing Stones. Extra inventory space is always helpful, and the Extra Pockets perk increases carrying capacity by a whole 100 points. Extra Pockets: Dissimilar to other skills in Skyrim, though, it’s the perks that make Pickpocket worthwhile rather than the usefulness of the skill itself.The remaining poisons will be left on the corpse and are retrievable. This forces a target to receive damage from all the poisons at once until either they are all consumed or the target dies whichever happens first. While planting a single vial of poison on a target won’t do much damage, what many players do not realize is that they can reverse-pickpocket multiple poisons at once. Both creative and stealthy, Poisoner finally gives players a reason to carry around dozens of poisons. Poisoner: For rogue play styles that are tired of seeing Skyrim’s repetitive crossbow sneak kill animations, being able to silently kill enemies by using poison is a much-needed change of pace.This reduces the need to invest perk points into either tree. If those players reach level 100 in Enchanting, they can then double enchant their gear to boost both Pickpocket and Sneak at the same time. Players can easily reach the ‘90% success rate’ cap solely by wearing gear that improves Pickpocket skill. This includes Pickpocket and it’s to the detriment of the Pickpocket skill tree as a whole. One of the best reasons to level Enchanting in Skyrim is that items can be outfitted to bolster any play style. Related: Skyrim: Pros & Cons Of Leveling Light Armor Skill Tree Furthermore, the likelihood of succeeding at Pickpocket attempts can be just as easily boosted via Skyrim’s crafting skills like alchemy, enchanting, and smithing. Players can save-scum and reload failed attempts to retry, but this is tedious, immersion-breaking, and is usually not worth the trouble. Getting caught pickpocketing non-hostile NPCs is even worse, as it places a bounty on your head, alerts any nearby guards, and results in paying a fine, losing all stolen goods, or serving time in jail. The primary benefit of leveling the Pickpocket skill tree at all is that it makes it easier to steal rarer, more valuable items. It’s even less worthwhile to pick the pockets of hostile NPCs, since they can simply be looted once they’re killed. Between looting fallen enemies and digging through Skyrim’s deepest, longest dungeons, it’s hardly worth the time (or the perk points) to pick the pockets of non-hostile NPCs for gold. Once Skyrim players have reached higher levels, gold is rarely an issue. Related: Skyrim: What The Mysterious Rune-Like Marks On Buildings Mean This comes back to a recurring problem with the game itself: Economy. Pickpocket does synergize well with a pure rogue build, however, as it’s a way to make the most of break-in missions or even just ambling about Skyrim’s cities. Again, however, the player could alternatively just pick the lock. This quest involves multiple locked doors that are more quickly and easily bypassed by stealing keys. While the skill isn’t strictly necessary, it can be a help during the Hard Answers quest. You can always download high quality songs from masstamilan website in 320kbps and 128kbps along with rar/zip downloads. You can also download other tracks - Akale Hridayam (Waiting for You), En Kanavil (The Love Story), Kaalam Pokum Munbe (The Ray of Hope), Mizhikalil Mizhikalil (The Separation), Niramizhikal (The Voice of Vishal), Oh Manase (The Following), Paranne Pokunne (The Smell of Love), Vaanile Thaarake (The World of Vishal and Gayathri) from masstamilan. THANKS FOR READING THE REVIEW.4 Years movie has 8 track(s) and the music is composed by Sankar Sharma. After watching the movie, I found that even if there were some slight flaws, the movie was a nice entertaining one even if the usual factors of a Malayalam movie still stay there as it has been.Ĭast: Dileep, Indrajeet, Kavya Madhavan, Murali, Harisree Asokan, Cochin Haneefa, Jagathy Sreekumar, Kaviyur Ponnama etc The good thing is that the nice family movies like Runway can have nice collection as all other movies become crap. All were just the results of some lame efforts to attract the viewers which makes Runway a great choice to go for. There was no competition for the movie from the other movies released at the same time - ''Aparichitan'', ''Vellinakshatram'', ''Manju Poloru Penkutty'' etc as the movie did run for a long time even as lots of other movies crashed quickly just like ''Yuvajanolsavam'', ''Kaaka Karumban'' ''Freedom'' etc. Gireesh Puthencherry's music is quite a nice one to hear. Bhavana does have a guest role in a song. Oduvil Unnikrishnan is typical in the father's role. Kaviyur Ponnama does well in the mother role as usual. Jagathy Sreekumar doesn't have very much big a role to talk about. Murali is not bad, but he seemed like a shadow of his earlier performances, but he is better at some times. There are lots of light funny moments in the movie, thanks to them. I do like him better than his brother Prithviraj because he doesn't overdo his role like his brother did in ''Vellinakshatram'' and ''Sathyam''.Ĭochin Haneefa and Harishree Ashokan succeeds in bringing humour into the movie. Suja Karthika has done exceptionally well as Dileep's sister. She does nothing special in the movie, but still she does her job well - even as it is not a big one. Kavya Madhavan looks good, especially with the cute looks on the face. Dileep shows that he got the ability to do all kinds of roles here in this movie. He does deliver some ground breaking dialogues in the movie almost like what Mohan Lal did in his action movies like ''Narasimham'', ''Raavana Prabhu'' etc. He had been wonderful right from the beginning to the end. He has done quite a brilliant job in doing action, sentiments or comedy. He has applied himself into the work sincerely. This makes the movie almost like a ''Triple Threat match'' - the fight is going to be triangular! How will Unni's love story end? Will he succeed in escaping from his own brother? Where will his life of crime end?ĭileep is just outstanding in the movie. But the truth is always going to be sour as Unni himself is Paramasivam, trying hard to hide his identity of crime from all those who loves him.īut his struggle becomes hard as his opponents in the smuggling field are upto destroying him at any cost. Later, when he is released from the jail, he goes back to his earlier business of smuggling spirit through the Valayar checkpost.Įverything takes a turn as Balu is the new inspector in charge and is trying to trace down a don from Valayar known as Valayar Paramasivam. Kavya Madhavan plays his neighbour who lives along with her father (Oduvil Unnikrishnan).ĭileep's family wants her to marry Dileep and she too likes that even after she knows the truth about him. Dileep's younger brother Balu (Indrajit) is to be slected in the police soon. They actually run their family with the money sent by Dileep. They believe that he is in Dubai and leading a prestigious life there, but the truth is that he is in jail accused of a murder. I am sure that you will not see any runway in this movie!ĭileep plays Unni and his family, which consists of his mother, brother, and sister stay in the village. The name Runway actually doesn't have much to do with the movie - the name which would have suited it more would have been ''Checkpost'' - you will know why after reading the story or watching the movie. There are some good songs in the movie too with ''Shaaba Shaaba'', ''Pulariyiloru'' and ''Nadhiye Nile Nadhiye'' are good and the movie got what the audience had always wanted. This what I call a well-executed movie from an average plot - they made it look so good! This is not only an action movie, but most probably, it can be called a family movie with all the sentiments in it. Dileep's run with a number of hits continues as he is back with another hit as he tries action here. try click on spsComps shiny demo and go to the Misc tab and see the dynamic heightMatcher example. In your case, the height on left is fixed, but heightMatcher can do it even with dynamically changed height. Reflow is a problem because it’s a user-blocking operation. This causes reflow, where the content below or around the image gets pushed to make room for the freshly loaded image. SpsComps::heightMatcher("box_r", "box_l") When a user scrolls and images are lazy-loaded, those img elements go from a height of 0 pixels to whatever they need to be. Higher resolution browsers will show the image at 900px height those with a minimum of 700px height will show it at 600px, and smaller ones will show it at 400px. media will allow for responsiveness based on browser height. We can use this function to dynamically match the height of the right side to the left side. And then with media, the height of the image is restricted. In order to have the right the same height as left, we can use spsComps::heightMatcher. In your first case, if you want to use other random tags on the right side. Output$speed_distbn <- renderPlot(plot(1)) I posted some screen shots below.ĭesire Output (row is the same height no matter what).ĭashboardHeader(title = "Box alignmnent test"),īox(plotOutput("speed_distbn",height = plot_height), height = box_height)īoxes stay the same height but the image overlaps the boxĪlign = "center", style = paste0("width: 100% height: ", my_height, " "))īox(title = "Plot", plotOutput("speed_distbn", height = my_height)) I would like for both boxes to be the same height and remain uniformed. Technically this code works, but I don't like how the box with the image changes based off the monitor/view. max-width: 100 and height: auto are applied to the image so that it scales with the parent element. Title = "Select Inputs",status = "warning", solidHeader = F, Im trying fit a fluid image inside a resizable DIV. Images in Bootstrap are made responsive with. 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